First time snark 'round these parts.
Mar. 12th, 2008 06:09 pm Okay, so I've gotten quite a few laughs out of this community, and I've enjoyed much of the snark. I figured it was about time to give something back, so I decided to take some samples from Pat Walsh's book 78 Reasons Why Your Book May Never Be Published, and 14 Reasons Why It Just Might, and post it up here as a kind of comparison/contrast exercise. Hopefully it gives you as much entertainment as everyone else here has given me.
These are just the first 25 out of the 78 reasons (since I'm both lazy and didn't want to make this post too obnoxiously long), and I can pick out quite a few that can be applied to our favorite Little Snowflake. How many can you spot, and why?
- The Number One Reason Your Book Will Never Be Published Is Because You Have Not Written It.
- Your Book Is Not Good Enough
- You Do Not Revise Your Book, Or You Will Not Revise It Again.
- You Think Too Highly Of Yourself
- You Think You Are A Natural
- You Think Writing Is Easy
- You Listen To False Praise
- You Do Not Know What You Are Talking About
- You Do Not Care About Language
- You Cannot Tell A Story
- You Preach
- You Do Not Realize That Nobody Cares
- You Are A Copycat
- You Do Not Have Style
- You Have Too Much Style
- You Do Not Kill Your Little Darlings (this one is originally in reference to the pithy little sayings that a would-be author might use, but I think it can be applied to LKH well enough.... :-)....)
- You Use Bad Metaphors And Similes
- You Sacrifice Clarity for "Art"
- You Do Not Know Grammar
- You Do Not Care About Syntax
- You Do Not Know Enough Vocabulary
- You Read Your Writing Aloud Too Much
- You Have A Tin Ear For Dialogue
- You Do Not Know Your Audience
- You Do Not Trust Your Audience
Enjoy!
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Date: 2008-03-12 10:51 pm (UTC)no subject
Date: 2008-03-12 11:13 pm (UTC)WORD. While there's no accounting for taste, there seems to be a wealth of authors that have positive encouragement teams that do a lot more harm than good. A harsh critic can be your best friend.
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Date: 2008-03-12 11:36 pm (UTC)no subject
Date: 2008-03-12 11:44 pm (UTC)and then the author actually *took* the advice.
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Date: 2008-03-12 11:44 pm (UTC)Forgive me if it's incredibly obvious, but why is this a bad thing?
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Date: 2008-03-12 11:58 pm (UTC)Mr. Walsh's reasoning is that you end up getting stuck with a kind of voice for each character and each scenario, when the reality is that everyone who reads the book besides the author will take it a different way. The 'voice' the author gets stuck in tends to make the writing stilted and stuffy.
Personally, I don't see it, but then again, I'm not published on a regular basis. Or at all, as of late.
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Date: 2008-03-12 11:59 pm (UTC)that tight wet white picket fence just did it for me, making me scream and spill, and then i had to relearn how to breathe?
oh yeah. i went there. :D
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Date: 2008-03-13 12:07 am (UTC)Walsh was a successful editor, but as a fiction writer not so much. Maybe he needs to read his work out loud more.
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Date: 2008-03-13 12:08 am (UTC)She's good on this one, though.
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Date: 2008-03-13 12:11 am (UTC)no subject
Date: 2008-03-13 12:37 am (UTC)no subject
Date: 2008-03-13 12:54 am (UTC)no subject
Date: 2008-03-13 01:20 am (UTC)no subject
Date: 2008-03-13 03:37 am (UTC)Actually, if I never have to read another paragraph about Richard's eyes being the exact colour of chocolate, I may die happy.
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Date: 2008-03-13 04:32 am (UTC);)
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Date: 2008-03-13 04:34 am (UTC)kitty-kat eyes
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Date: 2008-03-13 05:14 am (UTC)no subject
Date: 2008-03-13 05:15 am (UTC)no subject
Date: 2008-03-13 05:45 am (UTC)More fun?
Date: 2008-03-13 05:47 am (UTC)no subject
Date: 2008-03-13 07:51 am (UTC)no subject
Date: 2008-03-13 09:40 am (UTC)no subject
Date: 2008-03-13 02:58 pm (UTC)Re: More fun?
Date: 2008-03-13 03:22 pm (UTC)no subject
Date: 2008-03-13 04:15 pm (UTC)The problem is in thinking that just because you're a natural it means that you never have to work at it.
I have an artist friend who is a natural. Undeniably so. At 11 she was amazing. Her ability with watercolors was very impressive. And that was before she really took classes.
After ten years, a lot of classes, and a lot of -work-, she is so good it's almost painful.
A while ago she showed me this sketch she'd done of a man riding a horse. It was done from a behind, slightly to the left angle that in and of itself was quite amazing. Then she told that it had taken her a long time to do, because she didn't have a picture of a horse to look at.
I'm still trying to get over the fact that she drew it without having to look at a horse.
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Date: 2008-03-13 04:18 pm (UTC)Three guesses as to why the rest of me wants to slit my wrists whenever I read her work.
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Date: 2008-03-13 05:33 pm (UTC)no subject
Date: 2008-03-13 05:34 pm (UTC)Even if you have natural talent AND ability, it amounts to exactly jackshit unless you work at it.
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Date: 2008-03-13 11:19 pm (UTC)no subject
Date: 2008-03-14 12:31 am (UTC)no subject
Date: 2008-03-14 02:23 am (UTC)I've at least got a manuscript to work from now, so maybe I should get my hands on a copy of that book to figure out what to do next . . . ;)
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Date: 2008-03-14 02:30 am (UTC)no subject
Date: 2008-03-14 03:11 am (UTC)I'll have to find the book to read exactly what he meant. Of course, I don't think LKH reads her work at all much less out loud, so that rule can probably be tossed out.
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Date: 2008-03-14 03:56 am (UTC)Hey, what about the unnamed spot no bigger than a silver dollar or the fact that Anita can *so* taste her own pulse at the back of her throat when she's scared... EVERY time she's scared.
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Date: 2008-03-14 04:31 am (UTC)no subject
Date: 2008-03-14 03:07 pm (UTC)no subject
Date: 2008-03-15 02:30 pm (UTC)no subject
Date: 2008-03-15 02:31 pm (UTC)no subject
Date: 2008-03-16 09:35 pm (UTC)no subject
Date: 2008-03-18 06:48 pm (UTC)"The inflection of voice hides a multitude of sins by emphasizing the colorful bits and glossing over deficiencies. Specifically, writers who tend to read their prose aloud tend to overstuff their sentences with prepositional phrases and needless words. Spoken ideas need more air to sink in; written words do not because the reader's mind goes at its own pace rather than the speaker's. The exercise may be useful in the end stages of revision to ensure dialogue sounds authentic and the flow of the prose is even. It should not be used when writing early drafts."